| IN THE FISHTANK |
In The Fishtank is an ever ongoing
project of Konkurrent, independent music distributor in the Netherlands.
In this collection Konkurrent invites musicians to whom they feel strongly
related to record. They are given two days studio time and freedom to do
whatever they like musically.
The Fishtank offers a space for expression and experimentation, results
may vary but are always surprising. |
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| RELEASES |
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| SPARKLE HORSE + FENNESZ |
| Fish 15 |
|
| September 2009 |
CD/LP |
|
 Ever since 'Endless Summer' we were attracted to the music of
Christian Fennesz. Where many laptop artists don’t reach further than
idle electronic rumble without engagement, Fennesz manages to create
a world of unheard and rich new sounds.
Christian’s idea to collaborate with Mark Linkous of Sparklehorse
excited us immediately. The two artists had performed together a
couple of times and both felt that there was further mileage in the
collaboration.
Just two days in December 2007 were enough to record over 40 minutes
of the sublime Fennesz and Sparklehorse combination. Prepared oddities
and masses of inspiration make these recordings unique in their
style and in this series in particular. Songs and soundscapes of rare
beauty with stunning atmospherics, where abstract sounds and wellcrafted
traditional songstructure meet and where acoustic instruments
and electronics create outstanding ambience.
Tracks
1. Music Box Of Snakes
2. Goodnight Sweetheart
3. Shai-Hulud
4. If My Heart
5. Mark’s Guitar Piece
6. NC Bongo Buddy
7. Christian’s Guitar Piece
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| ISIS + AEREOGRAMME |
| Fish 14 |
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| September 2006 |
MCD/MLP |
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Upon first spinning this Fishtank session of Isis and Aereogramme attracts attention with it’s wonderful sound. Where both bands are known for their love of metal and post-hardcore next to experiment and a spheric approach, they not only show these skills here, but on top they reach an impressively high level of purity, roominess and emotion.
Putting two bands together with such different home-bases as Los Angeles and Glasgow in a small town near Amsterdam was a challenge we couldn’t resist. In December 2004 the idea grew concrete that long-time Konkurrent-friends Aereogramme would share the studio with Isis to record a Fishtank and in the following months all directions pointed to July 2005 for action. Isis just finished their european tour, Aereogramme hit the road and the bands played a warming-up show at the Amsterdam Paradiso the night before they entered the studio.
When Konkurrent invited Isis and Aereogramme to do a Fishtank-session, we expected a heavy and loud session not yet heard before in the series. Was it the extremely hot weather? The overwhelming seventies atmosphere in the studio? The shitty hotel the night before?
It’s the analog warmth that makes the songs tender, organic, imminent and fragile. It’s the unexpected that makes this a very successful edition to us.
Tracks
1. Low Tide
2. Delial
3. Stolen |
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| SOLEX + M.A.E. |
| Fish 13 |
|
| February 2005 |
MCD |
|
 Solex
doing a Fishtank has been in the pipeline for a very long time. We first
spoke about it way back in 1998 when Liesbeth Esselink a.k.a. Solex had
just released her debut-album on Matador. She kept her mind open since,
looking for the perfect idea to make her Fishtank happen.
In 2003 the multi-media festival Crossing Border invited Solex to do a performance
together with the Maarten Altena Ensemble, famous for its contemporary music.
For that special occasion Solex made a piece out of Altena's classics while
Maarten Altena rearranged a couple of Solex tunes. That seemed the perfect
match to take off for a Fishtank-session. Solex and the ten-piece M.A.E.
recorded four of the then performed tracks in the mood of 1 + 1 = 11 as
one of the compositions is called.
Both Solex and M.A.E. are very disciplined though with different backgrounds.
Solex brings in sparkling melodies, nervousness and hooky rhythms, while
M.A.E. developed as a strong, experienced, dedicated and stern outfit. It's
this almost academic combination that makes this session so interesting;
mathematics with an uneasy groove.
Tracks
1. 5 Superstar
2. Go Easy On The Fun Fund
3. 1 + 1 = 11
4. Birthday Superboy
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| KARATE |
| Fish 12 |
|
| February 2005 |
MCD/MLP |
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 Just
after their "Some Boots"-tour, late summer 2003, Karate would
have recorded in the Fishtank if not Geoff Farina got ill on the day of
the session. Eventually they ended up in the studio one year later.
For this session Karate wanted to play just thematic pieces, all critical of America
in some way, as Geoff put it. Songs like the Billy Holiday classic "Strange
Fruit", Bob Dylan's "Tears Of Rage", Mark Hollis' "A
New Jeruselem" or the four Minutemen up-tempo rockers. However the
huge variety in character, all songs fit Karate surprisingly well, like
a second skin, as it were.
Instead of taking the opportunity to build enormous impro-walls it's obvious
that Karate felt a lot more comfortable in tight measured pieces. Each song
they recorded has got a very natural feel, it grooves, it rocks, it's delicate
and it shows Geoff as a relaxed and soulful crooner. Karate is in blazing
shape with this adeqate material that gives less space for the jazzyness
of their recent albums and moves them back to the roots of their early days.
In this context these Fishtank recordings became more or less the perfect
sparring partner for Karate to prepare themselves for "Pockets",
their latest album. Great session.
Tracks
1. Strange Fruit
2. The Only Minority
3. Tears Of Rage
4. Bob Dylan Wrote Propaganda Songs
5. Need A Job
6. This Ain't No Picnic
7. Colors
8. A New Jerusalem
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| THE BLACK HEART PROCESSION + SOLBAKKEN |
| Fish 11 |
| March 2004 |
MCD/MLP |
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 Leadsinger
Pall of The Black Heart Procession immediately suggested Dutch prog rockers
Solbakken to become sparring partners for their 'Fishtank'-session. Both
bands cherished some fine memories of playing together on different occasions
over the years, the first time being way back in '98.
In July 2003, when the BHP's had just finished their 'Tropico'-tour, both
bands started recording. Apart from the obvious lengthy jamsessions, the
guys of Solbakken, knowing their limitations in the improvisational field,
prepared a couple of loose ideas to throw at the Black Hearts, who took
it all pretty well. Then, years of rock experience and some high speed songwriting
were combined with the ever fascinating voice of Pall, the reliable pianohands
of Toby added to the unexpected input of Swiss-mystery guest Rachael, where
the whole thing was sustained by the nobleness of the musicians, resulting
in these here pretty tracks. An attempt was made to hide the lack of lyrics,
vocals were recorded through a guitar amp with lots of reverb, but stern-yet-fair
master of ceremony Zlaya digitally dug them up and made them sound quite
fresh indeed!
Ending up somewhere in the land of Bad Seeds, uncovering a bag of Morricone
leftovers, that had been tosssed behind a large container of old new wave
favourites, the bands travelled far and wide, still identifiable, sometimes
chancing upon an unknown horizon.
Tracks
1. Voiture En Rouge
2. Dog Song
3. Nervous Persian
4. A Taste Of You And Me
5. Things Go On With Mistakes
6. Your Cave
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| MOTORPSYCHO + JAGA JAZZIST HORNS |
| Fish 10 |
| October 2003 |
MCD/MLP |
MLP OUT OF PRINT |
 For
many years, Motorpsycho was on Konkurrent's list of wanted bands to do a
Fishtank session. But since there was no direct relationship between band
and distributor, nothing happened. Luckily this changed when Konkurrent
started distributing Motorpsycho's renowned label Stickman two years ago
and there was no more obstacle to invite them for a recording session. In
the Summer of 2002, crammed in between boring press-days and exciting festivals
in Holland and Belgium, Motorpsycho arrived in the studio to record. Along
came the horn section of fellow Norwegians Jaga Jazzist, with whom they
had done some experimental shows on jazz festivals. A soundcheck was hardly
necessary, within a few days the musicians managed to magnetize five groovy
tracks. The studio was already buzzing with hypermotivation, dedication
and hard Scandinavian labour, when the Jaga's even rented a space to rehearse,
a rather unique event in Fishtank history.
What came out is a stunning cocktail of Stax Soul, John Coltrane and obviously,
Pharaoh Sanders. Motorpsycho's recent funkiness blends in perfectly with
the mesmerizing quality of most of the material and, as always, you can
rely on these guys to give an excellent performance.
Tracks
1. Bombay Brassière
2. Pills, Powders And Passion Plays
3. Doffen Ah Hum
4. Theme De Yoyo
5. Tristano
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| SONIC YOUTH + ICP + THE EX |
| Fish 9 |
| October 2002 |
CD/LP |
|
|
 Konkurrent
and Sonic Youth have been related throughout the years. At first more
indirectly, through The Ex, with whom Konkurrent are closely connected
and with whom SY are acquainted with since their very first shows in Holland
in the early eighties. Right now we carry SY's individual labels 'Smells
Like Records' and 'Ecstatic Peace' as well as their own experimental output
on 'SYR'. In June 2001 Sonic Youth played at the Holland Festival, performing
pieces of contemporary composers. A great opportunity to invite them for
a Fishtank-session. They immediately proposed to also invite the Dutch
ICP-jazzers Han Bennink, Ab Baars, and Wolter Wierbos, plus Luc and Terrie
of The Ex. It took them only one day to record, inbetween two hectic HF
shows. The result was as unpredictable as we hoped for; delicate, abstract
and elusive. Miniatures that fit in the tradition of jazz rather than
they fit in the frame of pop-music; based on sounds, instant composing
and fantasy. As if the music went out on a stroll without a specific direction,
open for surprises and unexpected turns. Feel free as a listener to join
this music's walk into a little adventure.
Tracks
1. III
2. IV
3. V
4. VI
5. II
6. VIII
7. IX
8. X
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| WILLARD GRANT CONSPIRACY + TELEFUNK |
| Fish 8 |
| January 2002 |
MCD |
|
|
 When
Willard Grant Conspiracy & Telefunk emerged from the studio after
doing their Fishtank session, a lot of equipment had remained unused.
Alas, time was too short to record all thier ideas. For years on end,
Telefunk had stalked Konkurrent for a session, but we thought it would
be more interesting if they could drag along an artist of substantial
international fame. Telefunk's Simone and Arnoudt decided to invite Willard
Grant Conspiracy for their singer Robert had produced two albums for legendary
dutch band Cords, of which Simone and Arnoudt were founding members. Robert
and the rest of the Conspiracy were immediately excited about Telefunk's
plans and hit upon the idea of doing a couple of traditionals from around
1900. For the first time in Fishtank-history rehearsals took place before
the material was taken into the studio. Both bands came up with with three
traditionals; from a german singalong to the famous classic 'Dig A Hole'.
The expected soundclash - acoustics versus electronica - didn't happen,
instead Telefunk supported the warm, smooth 'n' tender sound of the Conspiracy
with a dark upright bass, a tunable sampler and rather subtle analogue
noise.
Tracks
1. Twistification
2. Cuckoo
3. Grün Grün
4. Near The Cross
5. Just A Little Rain
6. Dig A Hole In The Meadow
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| LOW + DIRTY THREE |
| Fish 7 |
| 2001 |
MCD/MLP |
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|
 In
November 1999 Konkurrent invited Low to record one of Konk's in house
Fishtank-sessions. Low, being familiar with the series, accepted. In the
spirit of 'In The Fishtank' Low took things a step further and extended
the invitation to their friends Dirty Three to collaborate on the session
which took place when both bands played the multi-media festival Crossing
Border in Amsterdam.
One can imagine that this created quite a hectic scene when the actual
recording took place. While Low where soundchecking, Dirty Three got off
the plane on Schiphol Airport. And when Dirty Three were busy doing overdubs,
Low did a wonderful show at the festival. Through it all both bands kept
their legendary cool, and recorded, faster than anyone could have guessed,
six basic songs. The combination of Low's open, desolate sound and the
melancholic yet folky violin of Dirty Three's Warren Ellis inspired Mimi
to indulge in a more crooning way of singing and Alan to play some amazing
banjo. Low's open minds and the way Dirty Three perfectly fit in, makes
this Fishtank the record you would expect from such wonderful bands.
Tracks
1. I Hear… Good Night
2. Down By The River
3. Invitation Day
4. When I Called Upon Your Seed
5. Cody
6. Lordy
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| JUNE OF 44 |
| Fish 6 |
| 1999 |
MCD/MLP |
MLP OUT OF PRINT |
|

June Of 44 had just finished the recordings for their brand new album
when they embarked on a tour through Spain, France and Italy. Without
any further ado, they went straight on to do their Fishtank-session. They
are used to work on songs over a short period of time, then record them
immediately: a method of working that we appreciate very much and recognize
in our own field.
The extensive touring would leave some traces (Sean was ill for a day),
but the band was eager to get all their ideas on tape. They kept going,
whether it was night or day. Although June of 44 experienced the studio
as a bunker, the equipment that was accidently available appeared to be
very useful: an old organ, a tube radio-set that had been lying around,
even sound engineer Zlaya was incorporated to generate some tone.
In retrospect, one could consider this 'In The Fishtank' as the missing
link between their albums 'Four Great Points' and 'Anahata', in the sense
that it combines their adventurous 'rock' with the experimental jazzy
musicality - six exclusive songs that make you sail off into the sunset.
Tracks
1. Pregenerate
2. Generate
3. Henry's Revenge
4. Modern Hereditary Dance Steps
5. Every Free Day
6. Good Day
7. Degenerate
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| TORTOISE + THE EX |
| Fish 5 |
| 1998 |
MCD/MLP |
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|
 For
our fifth 'In The Fishtank', Konkurrent invited Tortoise from Chicago
to contribute some of their hypnotic, catchy instrumental pieces to our
series. They gladly accepted and asked The Ex to join them. Both bands
begin from very different points when constructing songs. The Ex work
with dynamics and tension building while Tortoise work at a more introspective
and subdued level, adding layers and texture to their sound. Where they
meet is in how they work with repetition and introduce very specific atmospheres
into their songs. They also both possess an intuitive approach to their
music and an openness to allow things the time they need to take shape.
The music was slow to emerge not really fully forming till late on the
second day of recording, but as John from Tortoise commented: 'all good
things take time'. An unlikely combination you might think, which is why
we liked the idea so much.
Tracks
1. The Lawn Of The Limp
2. Pooh Song
3. Central Heating
4. Pleasure As Usual
5. Did You Comb?
6. Huge Hidden Spaces
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| SNUFF |
| Fish 4 |
| 1998 |
MCD |
|
|
 The
fourth edition of 'In The Fishtank' concerns a band we've been working
with for almost ten years, just like No Means No. We helped them out with
shows, released their second album 'Reach' and forced them to finish that
tour in 1991 in which they broke up. When they got back together in 1994
their style of music had become incredibly popular through bands like
Green Day and the Offspring, who mentioned Snuff as a big influence in
many interviews. Snuff themselves just carried on where they left off,
preaching blah blah in a fast and poppy singalong way.
Was scheduled to be released on vinyl, but the choice between d7"
and mlp was never made, hence cd only.
Tracks
1. Match Of The Day
2. Pen Blywd Happus
3. Bananas
4. Guinevere
5. No Tenemos Bananas
6. Rods' n'Mockers
7. Vi Har Inge Bananer
8. C'mon Let's Do The Head Bang
9. Wir Haben Keine Bananen
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| TASSILLI PLAYERS |
| Fish 3 |
| 1997 |
MCD/MLP |
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 Konkurrent
is very fond of this new school of British dub style music and invited
Tassilli Players to be part of the Fishtank collection. Along with the
Power Steppers, the Tassilli Players are produced by Zion Train and run
their own label: 'Universal Egg'. Although they might use the most advanced
digital techniques in the making of the music, the songs themselves sound
very warm and human, a welcome counterpoint to hectic daily life. Having
a bad day? Play it loud!
Tracks
1. Into The Grey Area
2. The Hempster Meets The Grim Reefer In Dub
3. The Wobbler
4. Uit Het Grijze Gebied
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| GUV'NER |
| Fish 2 |
| 1997 |
MCD/MLP |
MCD OUT OF PRINT |
|

Guv'ner is the second band in this mini album series. Not second as a
matter of grade, but based purely on the coincedence that they happened
to be on tour over here at the end of '96. Their music is very honest,
personal and beautiful. There is something special about it, something
that you've never heard before. Just like walking along a strange path,
with every step you take you wonder what the surface will be like, or
what strange creature may appear. It may suddenly change from solid ground
to quicksand, from a straight to a slippery road... Apparently it's Guv'ner's
world. Very pure and very pleasant.
Tracks
1. Concorde Jets
2. Help Me
3. Now Is Not The Time To Love Me
4. Whose Eyes
5. Jungle Bells
6. You Lie
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| NOMEANSNO |
| Fish 1 |
| 1996 |
MCD/MLP |
MLP OUT OF PRINT |
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No Means No and Konkurrent go back a long way. One could almost consider us a married couple. They have always been one of our favourite and most prominent bands in our distribution. Not only are they still making thier unique and beautiful music but they remain one of the few that have managed to retain their principle of independence. For these reasons we are proud that they are the first on this collection.
Tracks
1. Would Be Alive
2. The River
3. Joy
4. You're Not One
5. Big Dick
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